Side One
The McGreggors
The Mountain Dew
The Gaudie
The 37 Bus
I Got Fooled
The Calton Weaver

Side Two
The Soldier's Prayer
MacPherson's Farewell
History Of Football
Lang Johnny Moore
Little Maggie

All Round Entertainer
Volume 2 of the Hamish Imlach Sampler
1973 Transatlantic TRASAM 31 LP

   
Side One
1. The McGreggors (2.55) from Both Sides Of Hamish Imlach (XTRA 1069)
2. The Mountain Dew (2.24) from Ballads Of Booze (XTRA 1094)
3. The Gaudie (2.03) from Hamish Imlach (XTRA 1039)
4. The 37 Bus (4.23) from Before And After (XTRA 1059)
5. I Got Fooled (3.25) from Both Sides Of Hamish Imlach (XTRA 1069)
6. The Calton Weaver (2.25) from Ballads Of Booze (XTRA 1094)

Side Two
1. The Soldier's Prayer (2.10) from Hamish Imlach (XTRA 1039)
2. MacPherson's Farewell (4.10) from Before and After (XTRA 1059)
3. History Of Football (2.05) from Both Sides of Hamish Imlach (XTRA 1069)
4. Lang Johnny Moore (6.45) from Old Rarity (XTRA 1121)
5. Little Maggie (2.54) from Ballads Of Booze (XTRA 1094)

Side One—Tracks 1,3,4,5, & Side Two—Tracks 1,2,3, produced by Nathan Joseph
Side One—Tracks 2,6 & Side Two—Tracks 4,5 produced by Bill Leader

Hamish Imlach is a big subject to discuss in a few words, and any attempt to give a picture in the round is doomed to failure. But one can at least say that for years he has been one of the folk scene's biggest successes.

Joking apart, both on and offstage, Hamish is definitely larger than life. He laughs enormously and infectiously, often at his own jokes (which are usually of such monumental awfulness that they are, for me, superb!). He talks expansively and entertainingly by the hour, with an apparently inexhaustible mixture of the bawdy, the shaggy-dog and the fantastic. He is, in the best sense of the word, a true Rabelaisian. He seems to enjoy everything that comes his way, and has the rare and priceless gift of sharing that enjoyment both in his act and in casual conversation.

He is, above all, an entertainer in the old manner, when personality was at least important as a good script.

When I interviewed Hamish recently, he observed that, though he includes traditional songs in his act, he doesn't consider himself in any way a traditional artist. If someone hears me sing something traditional and is persuaded to listen to the real thing, then I'm happy.

Similarly, if anyone listening to this second Hamish Imlach sampler is led on to the real thing (the original albums), then I'll be happy too.

As, indeed, will Hamish!

FRED WOODS, MAY 1973
Art Direction—Ann Sullivan
Illustration—Rodney Matthews - Plastic Dog Graphics
Co-ordination—Laurence Aston
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