
Sleeve Notes:
THE CORRIES
Well known in many lands through their fine performances and
records, they have adopted a philosophy to their music which,
apart from technique, relies to a large extent on instinct. The
Celtic More, or instinct, one link with the ancient past which
can guide the treatment of an old song today. Their
interpretations are creative in the broadest sense, and sincere,
in that they compose what they feel is naturally right. They
take their music seriously, but are not afraid to have a good
laugh with their audience. People are important to them and if
they have brought an audience down with a sad ballad, will cheer
them up again with something else. This, after all is what music
is about; expression, entertainment, stories told, battles
recalled, bizarre, situations recounted and above all the
enjoyment of doing it.
Side Two
1. The Roses Of Prince Charlie (R.G. Browne) Roy & Ronnie—Guitar
2. Dark Lochnagar (Lord Byron) Roy & Ronnie—Guitar
3. Loch Tay Boat Song (Words: McLeod and Boulton) Roy & Ronnie—Combolin
4. The Mhm Song (Trad. From the Singing of Jock Anderson) Roy &
Ronnie—Mandoline
5. Flower Of Scotland (R.M.B. Williamson) Roy & Ronnie—Guitar
All songs Traditional—Arranged by The Corries, unless otherwise noted.
1974 Pan-Audio Ltd
Recording Supervisor—Allan Spence
Record in Glasgow City Hall 1974
Record Sleeve Design by The Pan-Audio Design Unit
Record Sleeve Artwork and Photography by The Graham Falconer
Visual Arts Group